If you are having trouble reading this email view the Web Version.
|
INSIDE THIS NEWSLETTER: |
|
November 2011 marks the WORLD PREMIERE of IMPRINTS. In association with Factory Theatre, we are extremely proud to present the final instalment of this new work in the Factory Studio Theatre from November 9-26, 2011. IMPRINTS tells the fantastical tale of Lily, a woman haunted by the ghosts of her ancestors. While undergoing an experimental procedure for an incurable disease, she is inadvertently transported down a very peculiar rabbit-hole. There she encounters the ghosts of her genealogical past and discovers alarming keys to her present. Inspired by current theories on genetic memory and taking them further in a mix of science and fantasy playwright Michael Spence explores the ghosts of our ancestral past by imagining them as existing within our genes. IMPRINTS examines the countless generations of intimate strangers that make up our lineage and how their experiences are manifested in our instincts, fears and dreams. Artistic Director, Jacquie PA Thomas has brought together a fabulous creative ensemble including Stephanie Belding, Cosette Derome, Conor Green, Ron Kennell, Kat Sandler and Michael Spence. Dramaturgy by Bruce Barton. Design team includes: projection
design by Cameron Davis; set design by Michael Spence;
lighting design by Laird Macdonald, costume design by Sheree Tams and sound design by Michael Laird and
William Fallon. |
|
|
|
HELP MAKE ART: DONATE TODAY |
|
| DONATION CAMPAIGN DONATE $10-$99: Thank you recognition on the Theatre Gargantua website and in
the IMPRINTS program. We have launched our very first online supporter campaign. Please consider visiting our special donation site to help support Gargantua as we step into our 20th season. Every dollar helps. Every
dollar donated makes it increasingly more possible to create our signature
work and make it financially accessible
to audiences. |
Why
Donate? Contact us: |
|
ASK GARGANTUA: We are an artist driven company and work together to create all of the original music, physicality and choreography which we fuse with other multi-disciplinary tools and technology to create our work. Practically, we ensure there is plenty of time to create and meditate on ideas and give our bodies the right amount of recovery time throughout the entire rehearsal process. We engage in multiple workshop series during the development year. This past year we spent two weeks as a resident company at the University of Toronto. We worked with professional artists, graduate students and professors. If you have a question for Theatre Gargantua please email |
|||||
|
||||||
|
||||||
WORKSHOPS YOUTH OUTREACH |
DONATE: Contact us: 55 Sudbury St., |
|||||
Thank you to our 2010-2011 Foundation supporters and all our individual donors
|